NYC Reno: Progress & Boy's Bath




The past couple of months construction on the NYC family reno project has been moving along at a rapid pace.  I've painstakingly overseen the precise placement of plumbing and electrical rough-ins, in some cases we were scrutinizing 1/4 inches.   More recently, over the past two weeks I've overseen the stone tiles being sorted thru, picked-out and installed.  The paint samples are about to go up,,,,kitchen cabinetry is being installed and very quickly, very suddenly it all seems like the entire home is coming together all at once.  Its visible, tangible progress for the clients when all the 'beauty' starts appearing, a major turning point in this long process.

There are 3 bathrooms in this "3 apartments into 1" conversion, however, the tiny footprint of each of the original bathrooms had to remain as is.  These compact size bathrooms consumed an unimaginable amount of time in planning out the details to the precise inch.  On top of that, sourcing vanity/console options that are no larger than 18" and trying to maximize storage when recessing niches or cabinets into the wall space was limited - it was a challenge!

The most challenging of them all for me was the Boy's bathroom.  It's original layout had a tub/shower unit which we would replace with a walkin shower.  What you can't really see clearly in these concept sketches is that the room has quite a few jogs, including a dropped bulkhead in the shower not depicted in here at all.  The clients desire was to do this bathroom in all ceramics or porcelain tile. Not usually my preference especially when the cost of the ceramics or porcelains can be equal to the cost of a marble.  I recommended we do a marble mosaic floor tile paired with a simple ceramic on the walls.  Just that bit of marble would add a luxe edge along with texture and pattern.  I'm not a fan of decorative tile borders and inlays or using a multitude of various tiles in a bathroom for the sake of adding some 'wow'.....an approach I find just too decorative and trendy.  I think the tile should provide the basic bones to the space, evoke the vibe you are going for and add a sense of long lasting quality.  If using a ceramic, I go for timeless white or colour block an entire wall in an accent colour. If you use a natural stone, the statement is simply in the stone itself, no enhancing needed, leave the decorating to the towels, accessories and artwork.  A common exception I make is the use of a contrasting band or pencil liner.



The sketches shown in this post were really really preliminary and done at the concept stage waaay back in August of 2011.  (For this post I've stripped them of dimensions and notes.)  The intent of these was to illustrate to the client how we could use a basic and classic ceramic tile shape but still add some detail.  We considered doing a combination of a dark blue vintage style (handformed, crackle finish) 2" x 8" floor to ceiling wall tile behind the sink and toilet, then tiling the shower walls in white field tile with frame borders in the same blue tile.  Even though they had told me they didn't want 'subway' tiles, they really loved this. (variation of this above and below)


There is a jog in the wall where the shower glass screen is so this provides a natural transition spot to change to a different wall tile inside the shower. A small carrara marble mosaic floor tile is continued thru to the shower floor, the shower sill would be carrara slab, on the wall not visible is a recessed soap niche also made of carrara slab and outside the shower is a full height small storage closet. Completing the space is contemporary plumbing fixtures and vintage style lighting.



One of the most common apprehensions clients have is floor to ceiling wall tile.  I personally don't understand the resistance, especially in a bathroom -  and true to that these homeowners were uncertain about taking the tile all the way to ceiling behind the sink so the final decision was half height.  


Months later when all the final specs and detailed design drawing were completed I can tell you the final design is not like ANY of these concepts!!!  ; )  You'll have to visit again to see sneak peaks of the installation.  You'll see we ended up with a modified version of this last sketch above, except we're going with a different type of sink all together and we're using Select White Thassos marble on the walls. ( The sink and toilet will also be in the reverse location.)


This young boy's bathroom will exude the fresh classic crispness of navy and white. Whatever walls are not clad in white tile, will be coated in a deep navy paint. All the polished chrome will sparkle against it and the white will look extra fresh.  What I love most about this foundation is that navy is such a 'neutral' you can chose from a myriad of accent colours for your accessories be it yellow, purple, green or red.




Check out the full back story and before photo  here.
See the before and after floor plans 
and my concept for the architectural details here.




All Drawings by:  Carol Reed Design


East Coast - Patina


Nova Scotia always overwhelms me with inspiration, the landscape, the architectural character, the food.  On my recent visit we spent our days road-tripping thru the Annapolis Valley as well as the South Shore travelling a total of 1500 km.   With my camera always on my lap, the days were filled with 'stop the car' moments from beginning to end.  I'm constantly 'gasping' to pullover or turn around or drive down there,,,,,BF's become so used to this that most times I don't have to do anything except flick my camera on and he's already looking for a place to pullover.   With the patience of a saint, he'll happily make a stop as often as I want, usually snapping away with his own camera while he waits for me - he's amassed a huge collection of pictures of me taking pictures at the side of the road!   I'm sure passers by often wonder what I could possibly be so interested in.......

The seaside landscape here truly calls my name -  vast open water, changing skies, long wispy grass, cedar shake buildings,  (especially barns!) and the sculptural rocky shoreline all reflecting that time-worn, weathered patina created by coastal winds, water and sun.  When it comes to architecture there are two distinct palletes you'll see along these coastal communities, distinctly bold colourful hues or,,,, a more natural palette that blends into the surroundings.  Below are a few of my favorite images from this trip, each capturing the characteristics of these elements, from rustic abandoned fishing shacks to modern day masterpieces, the simplicity speaks.  (the resolution sizes have been reduced for ease of posting.)



Somewhere near 


Near Liverpool, Nova Scotia.


Green Bay, Nova Scotia


Peggy's Cove, Nova Scotia


Driving near LaHave, Nova Scotia, from far down the road I recognized this modern residence up high on a peak overlooking the ocean.  Its the work of local Architect Brian MacKay's firm.  I'm a big fan of their work and you'll spot their modern east coast structures all around this area.


Near Broad Cove,  Nova Scotia


Near East Port Medway Nova Scotia

Near Cherry Hill, Nova Scotia







All Photos by:  Carol Reed 

Upload - East Coast Character



Vintage Wallpaper, painted floor boards, gigantic fresh cut blooms


I've been in Nova Scotia for the past several days with my other half looking at properties and touring some really old houses.  Our search for an East Coast abode has us focused primarily on century houses, many we've seen are close to 200 years old and have been in various states of neglect or restoration.   What I love most about these old houses is seeing the original details still in tact whether they're in need of some love or have been lovingly maintained.  I know that in either case, I would never think of getting rid of these character details - I can only envision how interesting it would be to incorporate them with my own aesthetic.   My own personal taste for architectural details runs much more traditional than modern, but I prefer it in a minimal way, simple to a point that leans to utilitarian and paired with more modern furniture and art.   And then sometimes you can't predict what you'll be drawn to, the landing area shown in the top photo totally captivates me, from the sunlight streaming in, the wide painted floor boards to the huge yellow blooms.  But most of all, that vintage wallpaper!  I'm not a fan of flowery wallpaper in general, but I have to admit I'd have a hard time stripping this one down.  Add a great lamp, a comfy reading chaise and a stack of books - perfection.

The same elements that attract me to modern designs are the same elements that attract me to centuries old east coast details and decor.  Clean geometries, simple form, no over embellishments.  When things are so pared down, there's an unpretentious ease.  I love a space that is so simple it enhances your personal collections of books or artwork or collections.   I adore things with aged patina and I appreciate imperfections especially when juxtaposed with crisp and modern.

Here's a glimpse at few of the things that have caught my Iphone while viewing some of these houses, some architectural details, some decor.  Even though these images are from a number of different houses, the character is consistently charming.




Antique door hardware, antique doors painted black, antique brass bed,
wrought iron bed, hand made quilt, brass knob on antique door, painted furniture, collections of family heirlooms


hand made lace bedskirt, 180 year old floorboards with glossy white paint, antique brass cup pulls,
built-in storage with original hardware, original handrails and newel posts, brass faucets


Antique brass bed, original ceiling beams, simple block printed curtains, stacks of wood for fireplaces and furnaces, oversize wood burning fireplaces, antique chairs


The search continues for that perfect combination of location, views and character.  Stay tuned for some more photos from our travels around the coast.